Imaginary Island Dance in performance at Space 538 in Portland Maine. March 30th, 2023

The story of how I became a photographer often feels like a long one. It started, like so many things in my life, with my lifelong practice and love of dance.

Dance and photography are woven together for me. Times when I danced more seriously were accompanied by a nagging impulse to photograph myself and others moving. Now, when I am working as a photographer, I am connected to and informed by the perspectives and compositional techniques I learned for over three decades in dance classrooms. 

It is rare that you will find me sitting still, taking static images with a camera on a tripod. Movement and photography are two sides of the same coin for me. They just go together. When I am taking photographs I am moving: dodging, bobbing, weaving, swaying, crawling, kneeling, up on my tippy toes, and sometimes climbing on furniture. I am often mirroring my subject’s movement throughout a session, if they jump, I jump too. Connecting photo making with movement is the culmination of so many things that inspire and drive me in my life. It keeps me awake.

So, when dancers hire me to photograph them, it is such an absolute gift. Both of my passions are combined, to create something that is truly wonderful.  Dance and photography are very different in their forms, but share so much. The common ground between them is that both deal in the passage and experience of time.  Imaginary Island, a dance company based in Portland, Maine invited me to photograph them in performance at Space 538, a gallery and venue on March 30th. Working with Imaginary Island was such a joy and I am so proud of the images that were created during their rehearsal and live performance. Without further ado, a collection of my favorite images from “You Are Going To Be Healed” by Imaginary Island. 

A photo of dancer lit in blue light. She is kneeling and leaning to one side with one arm arced above her head and is looking up at her hand. There is a blue spotlight next to her and and audience in the background.
a photo of a dancer covered in a shaggy rope covered costume. There is a dancer out of focus in the background
a picture of a dancer in a Nirvana t-shirt and lavender pants. Her arms are stretching up to the ceiling and she is making a big surprised face.
an image of two dancers performing on a stage. They are lit in blue. One dancer is kneeling down and the other dancer is in the air.
am image of a dancer in blue light, kneeling down, wearing a long sleeved dress, pants, and high heels.
Tow dancers are dancing with their backs towards the camera, facing and raising their arms to a large pink sculpture with a salt lamp on top.



A Year of Documentary Family Photography: introducing "Trip Around the Sun"

I can’t believe it is December already. This last year we have all had to pivot, then re-pivot, then again, and again. Things are changing still, always, forever. Every time I think I know what is going to happen… things up and change. Each day I remind myself to be gentle with those who are grieving, and that is everyone now. We have all lost someone or something, some people many someones and somethings, it can feel heavy to face that.

When I was little I would sit for hours poring over my mother’s photo albums. I would leaf through each page, one by one. I’d ask her to tell me the story of each photo, where it was taken, who were the people in it, what year was it taken? Seeing the permanence that a photo held struck me even then. If you invite me over to your house, which perhaps someday you will, I will instantly be drawn to your wall of photos, your fridge, your gallery of school portraits on your stairway, the portrait of your grandmother in a tiny ornate frame on your desk. A blurry photo of your childhood pet, the one that was yours. The history of your family told through images will pull me in, I can’t tell you how many parties I’ve been to where I can barely hold a conversation because I’m too distracted looking at pictures. I don’t know how to help it, and I’m not sure I would want to if I could.

When I think about the thing that keeps me coming back to this work, this practice of photographing people, this dream of making a career out of it, it is that when I am taking photos of you, I am creating a chronicle of your life, something you can come back to years later. A photo can seem so commonplace now, in this world where everyone has a phone camera on them at all times, but I promise you, documenting your life is powerful. It is a window into your world that remains open. Photos are a fixed point, they defy time and space. It is thrilling.

I have been so fortunate to be able to photograph the same families over the course of time, to see how their lives have changed, to see their children grow, to witness and document the shaping and reshaping of lives, and have had the privilege of being invited in to photograph that.

I am offering a new type of session format, taking this thing that I love and making it intentional. I call it:

Trip Around the Sun

A series of documentary photo sessions to create a visual archive of your life over the course of one year.

There are three options you can choose from.

  1. 12 one-hour documentary sessions, one per month, for one year, at 20% off ($316 per session.)

  2. 6 one-hour documentary sessions, one every other month, for one year, at 15% off ($335 per session.)

  3. 4 one-hour documentary sessions, one every three months, for one year, at 10% off ($355 per session.)

Each session will be chronologically added on to an online gallery and after the course of a year, there will be a full collection of images from your life.

Do you have questions? Please, let’s talk! I would love to hear from you. Contact me HERE.


When things don't go as planned

I used to think I had a pretty good idea of what the future was going to look like. I built my life around this imaginary future. The career trajectory that I was plotting, the idea of the future, of what I thought my life was going to be. The details were expected to change, but the events of this year so far are ones that I never planned for. The last few months have been ROUGH, worldwide, nationwide, locally. Even the countries and communities that are faring best in this global pandemic are having a rough year. Let’s just sit inside of that and dig into this discomfort, because we may be here a while. While it feels much safer to cling to the things that make me comfortable, I’ve always been more of a “just rip the band-aid off” kind of person; I’d much rather face things head on. Despite how painful it can be, even when my instinct is to retreat, I can’t. There are things greater than myself that need so much more attention right now than the meager offerings that I have to give as an artist. My aspirations for my photography business are on hold right now, I spend most days working on keeping my children from feeling isolated and bored, I plan, and budget, and do dishes, so many dishes. We strategically plan outings, armed with masks and sanitizer, we listen to scientists, we read, we read some more. Still, I can’t help but feel that documentation of the world right now is important. I have been shooting more than ever before. I have also been shooting film more than I have in the last five years. It feels like going home. I’m not sure how I ended up living in the wrong era, where everything I am good at used to be a good way to make a living, but is now only viewed as a hobby, but here I am. So, here are a few shots taken with a really lovely roll of Lomo-chrome purple, a film with an intentional color shift, mimicking the infra-red films that are so expensive and difficult to work with. I am simply in love with the results of this film in my forever BFF, my Pentax K1000. Here, is a quick glimpse at a few moments from the summer of 2020, pandemic, life in Maine.

000080080003.jpg
000080080009.jpg
000080080025.jpg
000080080018.jpg

Get your Holiday photos in time 2019!

Not to be too short, but ok, here’s the deal: 30 minutes, on location, you, your family, fur babies, friends, dress up, or don’t. It’s up to you. Be you. Let’s get some pictures ready for holiday cards. $125, 10-25 final high-resolution digital files. All November long. Contact me to set up an appointment. Offer expires November 30, 2019.

IMG_9356.jpg

Family photo time!

Recently, a photographer friend of mine noted that “children and animals are the worst things to try and photograph.” I was like, “What. Are. You. Talking About?!” I think that this common sentiment is rooted in an old school mentality that children should be seen and not heard, should behave, and should fit into a rigid ideal for what society deems “appropriate behavior.” While I’m all for perfectly posed toddler photos, and the rare unicorn that they are, I think that it’s time we get real about who these little people are that we share our lives with. I don’t want to capture a picture of your little tiny kid doing anything other than being exactly who they are meant to be in that very moment that I’m with them. I don’t mind getting my clothes dirty, getting in the grass, playing in the leaves, or chasing them around. Photography is about freezing a moment in time, one that we will never get back. Why would we want to remember that as anything other than it truly is?

So here it is, the end of summer sale!! 30 minutes, 15-25 high definition digital files. At a location of your choosing (within 25 miles of South Portland.) For $115! Book between Friday August 15th and September 1st to take advantage of this price!!

You, your family, fur babies, friends, chosen family, or just you, doing something you love to do.

IMG_5102.jpg
IMG_6018.jpg
IMG_5538.jpg
IMG_4400.jpg
IMG_9464.jpg

Joy at Sunflower Farm

 

 

It was a beautiful, sunny day, so we decided to take a short drive north to Cumberland to visit Sunflower Farm.  They have a herd of Nigerian Dwarf Goats who are quite possibly the sweetest, mellowest, friendliest goats I have ever encountered.  As we were getting ready to leave, we decided to pick up some fresh chevre from the self serve farm stand.  While we were there, one of the owners of the farm, Hope Hall said, "Hey, if you want, I'm making some fresh herb cheese right now, if you can wait a minute, it's almost done."  Then, we watched her pick a sprig of rosemary and take it with her into the kitchen where she finished making the cheese.  "This cheese is made from yesterday's milking." She said.  My husband and I looked at eachother, how have we ended up in this happy little goat farm, foodie, paradise?  I happened to just have a package of crackers in my bag, because with two small children I never leave the house without snacks, so as we drove off into the beautiful, Maine Indian Summer, we ate a delicious snack from some of the freshest cheese made with milk from goats we got to meet and pet.  It was so joyful.

IMG_3353.jpg
IMG_3364.jpg
IMG_3370.jpg
IMG_3386.jpg
IMG_3407.jpg
IMG_3427.jpg
IMG_3431.jpg
IMG_3438.jpg
IMG_3443.jpg
IMG_3464.jpg
IMG_3470.jpg
IMG_3478.jpg
IMG_3494.jpg
IMG_3505.jpg
IMG_3526.jpg
IMG_3536.jpg
IMG_3352.jpg

New England in the Fall

I lived in the desert for a long time, five years in the high desert of New Mexico and nine years in the coastal desert of Southern California. Words can't really describe the strange cravings that I would have every September and October. Not for any food, but an intense, primal craving for weather.  A change of things.  How fortunate I am to now live in a place where the fall is so rich with color, so varied, so crisp.  Fall isn't just something you witness here, it engulfs you, you breathe it, drink it, absorb it.  Here, some fall photos from one of my favorite families, shot here in Portland.

IMG_9239.jpg
IMG_9455.jpg
IMG_9337.jpg
IMG_9464.jpg

Newness

When I began studying photography I had no ambitions for ever turning it into something I would make a living from.  It was a hobby and I liked it that way.  My hopes with photography were a very personal exploration, sometimes ritualistic, and always more about the process rather than the product, which is basically the opposite of most photographers. Then, after a few years, people started asking me to take pictures for them at different events and I kept turning them down.  I couldn't very well show up to a paying photography gig with a toy camera and expired film that would take a few weeks to get back from processing. I told my photography teacher at the time that I kept turning down work and he said "Christ, Kerry, never say no! Borrow a camera or rent a camera, but do you know how many people are trying really hard to get work as photographers? Say yes!"  I knew he was right, I was holding myself back, feeling like I wasn't good enough, not ready, a fraud. Despite my fears I started saying yes, embracing how uncomfortable I felt, I have been following photography down the rabbit hole ever since.  

I got a job as a hospital newborn photographer when I moved to Maine last year.  It is a wonderful job working for a really great company and I am so thankful that I get to do this work.  The only thing that could be seen as a professional drawback is that due to privacy laws it is rare that people other than the families I photograph get to see my work. At this point I have photographed over 300 families and while those families can share the photos, I cannot due to HIPAA. So, when I had my own baby I had the opportunity to take my own hospital photos that I can share with you. 

Meet my son, Atlas Leviathan Constantino.  Born August 11th, 2017 at 4:59 PM.  Here is a selection from our own hospital photo shoot.  There are so many more moments to capture with my beautiful children, but here are some of those sweet moments from the first few days. Enjoy!